Friday, October 30, 2015

(Song) Don't Fear the Reaper- Blue Oyster Cult




"(Don't Fear) The Reaper"


[Written by Blue Oyster Cult]

All our times have come
Here but now they're gone
Seasons don't fear the reaper
Nor do the wind, the sun or the rain
We can be like they are

Come on baby... Don't fear the Reaper
Baby take my hand... Don't fear the Reaper
We'll be able to fly... Don't fear the Reaper
Baby I'm your man...

Valentine is done
Here but now they're gone
Romeo and Juliet
Are together in eternity...
Romeo and Juliet

40,000 men and women everyday... Like Romeo and Juliet
40,000 men and women everyday... Redefine happiness
Another 40,000 coming everyday...We can be like they are

Come on baby... Don't fear the Reaper
Baby take my hand... Don't fear the Reaper
We'll be able to fly... Don't fear the Reaper
Baby I'm your man...

Love of two is one
Here but now they're gone
Came the last night of sadness
And it was clear we couldn't go on
The door was open and the wind appeared
The candles blew and then disappeared
The curtains flew and then he appeared
Saying don't be afraid

Come on baby... And we had no fear
And she ran to him... Then they started to fly
We looked backward and said goodbye
We had become like they are
She had taken his hand
We had become like they are

Come on baby...don't fear the reaper

Monday, October 26, 2015

(Article) Legendary 'creation site' discovered by Lower Elwha Klallam tribe -- Port Angeles Port Townsend Sequim Forks Jefferson County Clallam County Olympic Peninsula Daily NEWS

Legendary 'creation site' discovered by Lower Elwha Klallam tribe -- Port Angeles Port Townsend Sequim Forks Jefferson County Clallam County Olympic Peninsula Daily NEWS


The Stone of Creation (Journal)




The Klallam Indians inhabited this land before us, and it was with our bloodthirsty hands, that the Indians were brutalized. They believed in a stone of creation.

In 1910 George Glines and Thomas Aldwell, began construction of the Elwha Dam. As they signed the paperwork and bought the land, little did they know about the stone of creation.

With dirtied hands, men cemented the ground and stopped the flowing waters of the Elwha. This stone of creation was covered, buried under the murky depths of the river, buried in the layered sediment that would encase the stone its cold tomb. With the construction of the dam and the covering of the stone, the passage of the salmon was stopped, and all the life in the valley suffered.

Meanwhile the settlers, our forefathers, cheered. Electricity from the dam brought the comforts and delights of the modern age to Port Angeles.

--2015--

On a barren, lifeless wasteland. Piles of sediment blanket the valley and a listless dust flows through the atmosphere. The normally rainy weather fails to produce moisture, and the exposed dust burns against the opposing sun. Recently the Dam was removed, and with its removal, the destruction of the cement wall was revealed. Underneath the murky waters of Lake Adwell, death and stony decay made a home.

A group of people walk with shovels. They walk in one single line. The silence among the people is oppressive. They walk and they murmur. In the bags that they carry, the black trash bags, they carry hope for the valley.

There are green leaves poking out of those trash bags; green leaves that provide hope for another day. The people, they pick a plot and stop. Taking out their precious cargo, they stick their shovels into the ground. The work is hard and the people sweat but now, amidst the struggle, you see smiles poking through to peoples faces.

The holes are dug deep. Deep enough to touch the moisture below. The cottonwood and willows are taken from their bags. Their previously pampered lives in the nursery shows. Their roots are tightly encrusted in square fertilized bundles. Their root balls are black and moist. These plants are planted into the dead ground; into the harsh territory. In each root ball, in each plant lies a prayer for humanity. No one knows if these plants will survive, but the hope is there.

May their roots find the stone and convince the god, who ruled over this land before us, to bring this valley to life once again.


Gothic Rose: Sugar Skull (DIY - Tutorial)


Sunday, October 11, 2015

Accidents, Blood, and Fun (Journal)


There was the crunch, and then, there was the screaming.

"Somebody get a medic" a man yelled.

Thirty guys ran, but I stayed. I was holding up the track of a roller coaster, trying not to bend the rails.

Thank god he's screaming, I thought, looking over at the Raiders ride. He'll probably live.

The screaming echoes and fades.



A few days earlier.

I was in a gas station, looking at the selection of bottled water. The varieties were many. There was Dasani, Aquafina, and Smart Water. All of them glitteringly clear, cold and refreshing to the eyes. I picked the large, smooth bottle of Smart Water. It's massive surface resembling a dildo. It must be why it's so expensive, I thought, as I paid the cashier. I was going to the fair to paint kids faces. This was to be my last day of work. I wanted it to be a good day.



After wasting a section of life in traffic, I was in the parking lot, preparing for work. When I heard, "Somebody get a medic!" . Three cars away from mine, a woman had fainted. Her delicate body, laying unconscious on the grassy floor. A group of people had started to gather, and I looked through my car.

 What can help?

The bottle water glittered. Its surface glowed in the sunlight. I picked it up.

A man was trying to dissipate the crowd. Telling people to leave, that the medics were on their way and that she was alright. This guy was either a medic, a parking lot attendant, a relative or a crazy. When I got to the woman, she had regained consciousness and was sitting, looking weak and pale. I took out the bottle and gave it her.

This bottled water was really meant for you.

She explained how she nicked her finger and fainted. She showed me a small cut that had crusted with a drop of dried blood. I looked at her in disbelief.



Talk to a doctor, I've only heard of people fainting from small cuts in fairy tales. Maybe it's shock. 

I wished her well and continued my day. I could see the paramedics coming in the distance. Glee filled my heart because the water had helped.



In the evening, as I packed up the airbrushes. A red eclipse scented the night. Me and my coworkers packaged all the goods in the truck, and that meant the end of my work. I went back to the fair to bask in the glory of the lights and sounds. To hear the people laugh, to see the rides move and swirl. I walked around and continued on.



The next day I showed up at the trailer, in back of the RockStar Ride. I wanted to work a few extra days and knew they needed extra hands to tear it all down. Getting a job was easy. They gave me forms, I gave them documents, and then, I found myself being trucked off to the nearest ride. It was the Kamikazi. A human pendulum with duel cages. An upside-down, thrill-seeker.



The first job was to tear down the decking, and wrap the electrical cords. I crawled into the darkness, under the ride. The scent of grass and mud tantalized my nostrils; the moisture dampened my clothing. Moving and shifting made me feel alive, made me feel whole. I was loving the work.

The next activity was more tricky and quickly became precarious. The giant bolts that fastened the tower of the ride into a vertical position, needed to be loosened and undone. Without this, this ride would be unable to fold onto itself.

In order to do this, a person has to climb onto the top of the ride's cages. From there, your body is
free to the open air, and your footing balanced precariously. The bolts wouldn't budge. At first, 5 foot socket wrench was being used, but soon, the wrench was upgraded to a 6 foot one. It was a big wrench, but then again, it was a big ride. Though even then, those bolts wouldn't budge.



The regulars were having trouble. They climbed onto the cages, worked the bolts and got red in the faces. As unproductive as I felt, my feet remained firmly on the ground. To move bolts like that, you have to use your weight. No bracing means no balance, and if you fall, you risk dying. I made a few half-hearted attempts, but my feet stayed cozy in the grass.

Ed, a regular with two front teeth missing, was leading this shit show. This guy was built like a tank,
tall like an basketball player, and had muscles that bulged from every crevice of his body. By the looks of him, and the way he hurled himself at those bolts, it was clear that the fair made him do all the stupid, dangerous jobs.

Standing seven feet away and keeping my body away from the line of fire, I'm told over and over again, "you're in the way". I change my position, trying to find a position that is safe and non-offensive.

Ed used his body to huff those bolts into shape. The ride leaked fluids, and Ed's shoes had been slicked with gear oil. As he pressed himself against the socket wrench, his feet dragged across the cages. After a few failed attempts, Ed slumped. Then he looked at me and screamed, "Don't judge me, Bitch!"

 After an hour of grease and pain, the bolt moved, then another and another. 

After lunch, Ed showed us the problem. During the fair, an operator had left a door open. The ride, when it was swinging and giving entertainment to children, had hit itself. The floor of one of the cages had opened and parts of the ride had spilled out. Since the ride hit itself, nothing folded or fit, like it is supposed to.

One of the cages did not roll like it was designed to do. These cages are heavy. Their designed to keep people alive, and the weight of them will crush you.

As I was helping with the movement of one of these monstrosities, I wondered, what were to happen, if a part of the ride collapsed? Could you get away? Do you run like hell? Or do you push, as if your life depended upon it? Potentially, killing you and all your other co-workers.

These were my thoughts, as the grease slicked down from the tops of the ride, staining my clothes. At what point, do you walk away because conditions are ripe for an accident?

The day ends. I go home.

The next day, the morning is cold and unforgiving. I have nothing warm, except my neon, pink jacket. I wear my pink jacket in a field of men wearing dark overcoats. Each one looking husky, unkempt, and each one, romancing his cigarette. This time when they cart me away, I'm placed with another woman.

We work together, unbolting a kiddie ride. A tiny tot canoe ride. Two feet on the ground, and the work is just fine. We talk for awhile, and this woman named Patty, goes on a rant. She starts by describing her universal hared of all ethnic groups, and just when I can't take it, her rants change.




She describes how the men are protective and won't let women lift. She tells me that "you have to ask permission", and that when she first started, all they allowed her to do was to lift wood, and that "we women, we are expected to get out of the way, while the men do the real work."

I don't want to hear it but am compelled to. My insides feel like a witch's cauldron. I can't tell if Patty is trying to make me mad or is describing an order of things.

We join another crew, and I notice the interactions that I ignored before. When I go to lift a piece of track, a man takes it from me. The weaker men, no matter how small they are, are always expected to lift more, and that wood is deceptively heavy, and more importantly, inconsequential. I am told that a woman "should not be able to bench press her man".



The leader Fred, when trying to delegate jobs, gave adjustable wrenches to women and told the guys to lift. When this announcement was proclaimed, the other men complained. They felt that, by handing out the wrenches to the women, it gave out too much responsibility. They argued that the women would mess things up. There was a big commotion, but finally, we got our wrenches and did our work.

I was not allowed to help hold the ride up, but somehow I weaseled my way in. I was holding up the roller coaster, when the crunch came. It was the on the ride next to ours.

The screaming started, and the men, who had been helping me hold the ride up, they left. The ride, without being held, would fall and break itself. I stood my ground and held that coaster up.

The man continued to scream. He moaned and he pleaded. Paramedics were sent for, and when the owner of the fair arrived, he told the man to shut up. The exact words were something like, "Shut up! Don't get me wrong, your not alright, but you're ok".

The paramedics carted the man off, and the Raiders ride was covered in blood. They got some another group of men to work that ride. In that group, I saw Ed, as usual bouncing around without a harness and taking care of the fair's dirty work.



After work, I was angry. My blood was seething with uncontrolled rage.

Walking to my car, a teenage boy followed me and started talking. His posture, his body language, all of it suggested he was trying to scare me. He tells me how blood is part of the life of a carnie. I envision blood falling from his head, and then see my own hands covered in it. I try to calculate the forces it would take for his head to pop, and then I remember, it doesn't matter.

It's all accidents, blood and fun.

I think he is a dick. I wish him farewell.

So much for accidents and fun. My time is done.   

I drive away into the sunset.

Friday, October 9, 2015

Memories of the Hall (Journal)



 Something happened at that house that doesn't make sense. We put energies into the places that we live in; the places that we exist in. What these energies are, and what their far reaching effects are, I can't say. Obviously, that house had a history. A history that stretched far back in time. It's wood had soaked in the emotions from years of turmoil, turning rotten and hollow.

 Everything about that fire, screams electrical. It started in in the walls, and when a fire extinguisher was used, it grew.



Somehow, it feels like it was more. Something in that house that had been lingering and had finally reached out. Something that had stayed dormant and held in place and was released, after being held into place by those who had occupied it.

And when those energies had weakened, it came out. It showed it's face.


It showed the forgotten memories of a long time before.
And then that house, it showed no more.
http://flickriver.com/photos/tags/hallofthewoods/interesting/
 Only ash, garbage and death.





Thursday, October 8, 2015

Finding Home and a Heart (journal)



The move was sudden. Fire erupted from the old house and events quickly beckoned. That week after the fire was a haze of camping, mourning and moving.

Emotions were being smoothed with sundaes, milkshakes and ice cream. But after the fire, I wanted dirt, bruises and pain. People wanted their stuff moved, and I wanted to burn through those ashes, carry smoked possessions and be done with it. I wanted to sweat ashes and roll in darkness. But every time, I exerted my muscle and sweated in the house of darkness, I was doing it wrong.

The waiting was intense, slow and aggravating. At first, the moving truck had to move today, then it had to move tomorrow. I wanted motion. I exerted my arms. I exerted my feet. But when I was told, all I had done was wrong. I cried.        

I wanted to fight. In the absence of one, I was useless. The sick suffered and the healthy mourned. I wanted to raise my arms and wage war. I wanted to ease the pain, to take away the suffering.
When the junk finally moved, death came for the cat. The reaper had his day, and the fight was over before a battleground had been set. The night that death came. I felt his stroke, his caress. I was near that cursed house, and its phantoms blazed in the darkness of my mind. I was paralyzed by it, by the fear.

The loss caused personal panic. It was not long after that, I learned that fighting, whatever metaphysical shape it takes, is built into my soul. Hammered into the flesh and burned into the spirit. 

Fighting is not a want. Fighting s a need. Expressing one's values and desires, even when wrong, nourishes the soul beyond the carbohydrates of the flesh.
But that being said, the time for fighting had ended. There was nothing left to do but to build. Housekeeping has never been a guiding value of mine. My version of a home is a place to come after an adventure. A warm spot filled with friends and family. A place to retire and lay down one's burdens. Building up a household is a skill that has never interested me. I seek to live on the edges of other people's homes, on their beds and their couches.

In other people's homes, I'm most comfortable if I can make myself invisible, undetectable but there. Much like a parasitic organism, I value the freedom of invisibility, a freedom of not being ruled or controlled.

During the first few weeks of living in the new house, people needed things. They needed things I had, they needed spaces I occupied, and they needed my body for labor. I was given the opportunity to share, but I didn't want to share. They needed my car, and I handed over the keys. They offered to negotiate, but I didn't want to make treaties. They needed the computer, to relax and play games. They needed the room I occupied. They said, "just tell me to leave, if you want me to go", but I didn't want to ask. I just wanted things to be mine.

So when I finally got a laptop from a friend, I wanted it to be mine. I wanted it to be a space to be free, without the need to negotiate. It had a "lived in" feeling. A space that had belonged to someone else but was now handed over to me. No one occupied it. I wanted it to become a home.

So when my housemate asked to trade laptops, I wanted to fight. I refused. Earlier I had promised that I would trade laptops, if this laptop had turned out to be better, but when my housemate came for the better laptop, I kept it, against my own promise.

A day later, the laptop broke. My fiancé tripped over it and cracked the screen.

When I found my broken laptop, I found my broken fiancé. He was slumped over, tired and exhausted, looking upset. I tried to belittle the damage, but when doing so, my voice cracked. I was upset and couldn't hide.

In a distressed state, my fiancé slept. On my own, I tried to salvage the damage by buying a computer myself, but the choices were awkward and unclear. All the choices left me tired and confused. 

I went back, and my fiancé was waiting for me, he had barely woken up. He convinced me to go back, and we made the choice together. He paid. I didn't ask him to do this, but it seemed important. He gave almost everything he had, just to make me feel better. It made him feel better. It made me feel better. I felt like I had a friend. I felt loved. I think that was his point.

The next day, I woke up and decided to make amends. I went to the store and got my neglected housemate a desired toy, a Flareon stuffy. A week before, we roamed the mall together, and he loitered in front of this doll. Pokémon dolls have no value to me, but the doll has value to my housemate. When I bought the doll, I tucked it away in my jacket, it stared at me with its stupid eyes. I tucked it in farther, covering, it's soulless stare.

The doll  was an offering of understanding. People's desires are important. His desires are important. My desires are important. Somehow we have to reconcile these differences, because ultimately, home is where the heart is at.

Monday, October 5, 2015

Serious Considerations (Journal)



"I want a pink, sparkly pony", demands the little girl.

Almost as monotone as a automated teller, "Now sweetie, would you like that on your face or your arm?"

"I'd like it on my arm, please"

"Okay", I am amazed how polite she is.

Next to me is a set of airbrushes. Each with its own individual color: red, green, blue, yellow, white, black and pink. I grab the pink gun and the corresponding stencil.

For an instant, my mind flashes. Does this girl want a solid pink horse? Or does she want it garnished with another color? Does she want the advertised horse? Or is she expressing her own vision?

To me, it always looks better with a touch of complexity.

However, some little girls are very insistent on solid pink, and this devotion can be quite strong. As if any deviation from this solid color would be a breach in ethics. Others are disappointed, when they discover that solid pink has no other hue. Still others, don't just want pink, they want hot pink. Though it never makes any difference because my pink is always the same.

I consider for a brief moment asking the girl precisely what she wants, but as the line quickly grows, speed becomes a factor, and I make the choice for her.

The stencil goes on her arm. It barely fits. This stencil will be blurry at the edges, but I can't think of a way of pressing the stencil down without hurting her. I spray it with pink, add touches of black and slap on some glitter.

The horse comes out beautiful, but the edges of the horse are frayed. It could have been better, but it's good enough to send her away. I restrain my thoughts and focus on the color. "Wow! It's beautiful! It looks lovely on you! You should see how beautiful it is. Go look in the mirror!"

For the girl to believe my words, they have to be expressed with genuine excitement. For children, unlike adults, can sense dishonesty in tone. I do this, and she is pleased. She smiles and goes to the mirror. Of course, she can see the stencil, but I won't really know how she feels until she sees herself.

As she leaves, I beckon the next kid to the painting chair. I'm expecting at least 200 of these little interactions.

The little girl, now staring at herself in the mirror, seems to be contemplating her appearance. For a moment I worry that she won't like it. She stares intensely at the mirror and just when I can't stand the tension. Her face erupts and broadens into a smile. "It's so pretty! I love it!" and she points at her sparly, pink pony.

I'm relieved. Of course she likes it. I told her to like it.